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Wild Cash Dice is That punctilio didn't prevent Owen from remaining with her after they had left the shop, from hoping she had a lot more to do, and from pressing her to look with him, for a possible glimpse of something she might really let him give her, into the windows of other establishments. There was a moment when, under this pressure, she made up her mind that his tribute would be, if analyzed, a tribute to her insignificance. But all the same he wanted her to come somewhere and have luncheon with him: what was that a tribute to? She must have counted very little if she didn't count too much for a romp in a restaurant. She had to get home with her trimming, and the most, in his company, she was amenable to was a retracing of her steps to the Marble Arch and then, after a discussion when they had reached it, a walk with him across the Park. She knew Mona would have considered that she ought to take the omnibus again; but she had now to think for Owen as well as for herself—she couldn't think for Mona. Even in the Park the autumn air was thick, and as they moved westward over the grass, which was what Owen preferred, the cool grayness made their words soft, made them at last rare and everything else dim. He wanted to stay with her—he wanted not to leave her: he had dropped into complete silence, but that was what his silence said. What was it he had postponed? What was it he wanted still to postpone? She grew a little scared as they strolled together and she thought. It was too confused to be believed, but it was as if somehow he felt differently. Fleda Vetch didn't suspect him at first of feeling differently to her, but only of feeling differently to Mona; yet she was not unconscious that this latter difference would have had something to do with his being on the grass beside her. She had read in novels about gentlemen who on the eve of marriage, winding up the past, had surrendered themselves for the occasion to the influence of a former tie; and there was something in Owen's behavior now, something in his very face, that suggested a resemblance to one of those gentlemen. But whom and what, in that case, would Fleda herself resemble? She wasn't a former tie, she wasn't any tie at all; she was only a deep little person for whom happiness was a kind of pearl-diving plunge. It was down at the very bottom of all that had lately happened; for all that had lately happened was that Owen Gereth had come and gone at Poynton. That was the small sum of her experience, and what it had made for her was her own affair, quite consistent with her not having dreamed it had made a tie—at least what she called one—for Owen. The old one, at any rate, was Mona—Mona whom he had known so very much longer. Fleda by this time knew in what way she was affected: she became limp and weak again; she felt herself give everything up. Mixed with the horror, with the kindness of the station-master, with the smell of cinders and the riot of sound, was the raw bitterness of a hope that she might never again in life have to give up so much at such short notice. She heard herself repeat mechanically, yet as if asking it for the first time: "Poynton's gone?".

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🎮 "No, I'm not afraid now." Her arrival took the form of a surprise very nearly as violent as that of the other time. The elements were different, but the effect, like the other, arrested her on the threshold: she stood there stupefied and delighted at the magic of a passion of which such a picture represented the low-water mark. Wound up but sincere, and passing quickly from room to room, Fleda broke out before she even sat down. "If you turn me out of the house for it, my dear, there isn't a woman in England for whom it wouldn't be a privilege to live here." Mrs. Gereth was as honestly bewildered as she had of old been falsely calm. She looked about at the few sticks that, as she afterwards phrased it, she had gathered in, and then hard at her guest, as if to protect herself against a joke sufficiently cruel. The girl's heart gave a leap, for this stare was the sign of an opportunity. Mrs. Gereth was all unwitting; she didn't in the least know what she had done, and as Fleda could tell her Fleda suddenly became the one who knew most. That counted for the moment as a magnificent position; it almost made all the difference. Yet what contradicted it was the vivid presence of the artist's idea. "Where on earth did you put your hand on such beautiful things?"!

🏆 She had been perfectly prepared to be surprised at Ricks, for Mrs. Gereth was a wonder-working wizard, with a command, when all was said, of good material; but the impression in wait for her on the threshold made her catch her breath and falter. Dusk had fallen when she arrived, and in the plain square hall, one of the few good features, the glow of a Venetian lamp just showed, on either wall, the richness of an admirable tapestry. This instant perception that the place had been dressed at the expense of Poynton was a shock: it was as if she had abruptly seen herself in the light of an accomplice. The next moment, folded in Mrs. Gereth's arms, her eyes were diverted; but she had already had, in a flash, the vision of the great gaps in the other house. The two tapestries, not the largest, but those most splendidly toned by time, had been on the whole its most uplifted pride. When she could really see again she was on a sofa in the drawing-room, staring with intensity at an object soon distinct as the great Italian cabinet that, at Poynton, had been in the red saloon. Without looking, she was sure the room was occupied with other objects like it, stuffed with as many as it could hold of the trophies of her friend's struggle. By this time the very fingers of her glove, resting on the seat of the sofa, had thrilled at the touch of an old velvet brocade, a wondrous texture that she could recognize, would have recognized among a thousand, without dropping her eyes on it. They stuck to the cabinet with a kind of dissimulated dread, while she painfully asked herself whether she should notice it, notice everything, or just pretend not to be affected. How could she pretend not to be affected, with the very pendants of the lustres tinkling at her and with Mrs. Gereth, beside her and staring at her even as she herself stared at the cabinet, hunching up a back like Atlas under his globe? She was appalled at this image of what Mrs. Gereth had on her shoulders. That lady was waiting and watching her, bracing herself, and preparing the same face of confession and defiance she had shown the day, at Poynton, she had been surprised in the corridor. It was farcical not to speak; and yet to exclaim, to participate, would give one a bad sense of being mixed up with a theft. This ugly word sounded, for herself, in Fleda's silence, and the very violence of it jarred her into a scared glance, as of a creature detected, to right and left. But what again the full picture most showed her was the far-away empty sockets, a scandal of nakedness in high, bare walls. She at last uttered something formal and incoherent—she didn't know what: it had no relation to either house. Then she felt Mrs. Gereth's hand once more on her arm. "I've arranged a charming room for you—it's really lovely. You'll be very happy there." This was spoken with extraordinary sweetness and with a smile that meant, "Oh, I know what you're thinking; but what does it matter when you're so loyally on my side?" It had come indeed to a question of "sides," Fleda thought, for the whole place was in battle array. In the soft lamplight, with one fine feature after another looming up into sombre richness, it defied her not to pronounce it a triumph of taste. Her passion for beauty leaped back into life; and was not what now most appealed to it a certain gorgeous audacity? Mrs. Gereth's high hand was, as mere great effect, the climax of the impression. "I'm only thinking she'll be impatient—I mean, you know, to learn what will have passed between us."!

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